Born in Hiroshima, Japan in 1977, Nobuki began playing the guitar at age 14. After graduating Summa Cum Laude from Berklee College of Music, he relocated to New York in 2004. Since then, he has been developing a reputation as ‘’the best jazz guitarist Japan has ever produced’’ as lauded in AllAboutJazz.
A mainstay of the New York jazz scene, Nobuki has toured with his group in North America and Europe, performing at many of the best international jazz festivals and jazz clubs including the Montreal International Jazz Festival, the Rochester International Jazz Festival, Blue Note NY, Iridium Jazz Club, Blues Alley and Smalls Jazz Club. He has also toured annually throughout Japan since 2004.
Nobuki released two albums on What’s New Records. His third album, Live at the Iridium, released on Summit Records, presents a complete, uncut performance from a set at Iridium Jazz Club in 2009. His forth album, Three Wishes, recorded with his trio, was also released on Summit Records in 2012.
Besides leading his group, Nobuki has been playing solo frequently since his solo concert at the Montreal International Jazz Festival as part of 100% Guitare in 2009. He recorded his first solo guitar album one month prior to his Europe tour in August 2014. Vintage Guitar Magazine commented on this album: ”Takamen is a master. Beautiful solo guitar”.
In 2016, Nobuki released his sixth album, Live in Japan. This 2-disc album was recorded live during his tour in his native country in 2015, with his long-time musical collaborators, Toshiyuki Tanahashi on bass and Naoki Aikawa on drums. Mark Sullivan of AllAboutJazz remarked of this trio music: ”This is jazz guitar trio music at its finest”.
In 2018, Nobuki released his eponymous 7th album, The Nobuki Takamen Trio, which received 5-star review from AllAboutJazz, recorded with the same trio as his previous live album. His original compositions from this album has been played more than 400,000 times on Spotify in less than 6 months from its release.
Nobuki’s playing and music have been featured in publications worldwide, including DownBeat, Vintage Guitar Magazine, Just Jazz Guitar, AllAboutJazz, L.A.Jazz Scene, Jazz Podium (Germany), Jazz’n’more (Switzerland), Jazz Special (Denmark), Musica Jazz (Italy), Jazzwise (UK), Jazz Life Magazine (Japan), Swing Journal (Japan), Jazz Japan, Jazz Guitar Book (Japan) and Jazz Guitar Magazine (Japan).
Nobuki is also in demand as an educator. His diverse teaching experiences include jazz workshop at the Nisville Jazz Festival in Serbia, the Medicine Hat Jazz Fest, C-Jazz Camp at the Calgary Jazz Festival in Canada, and the Santo Music Street in Japan. When not on tour, he teaches private lessons at his studio in Jersey City, NJ as well as via Skype from anywhere in the world.
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”the best jazz guitarist Japan has ever produced.”
– AllAboutJazz (5 stars)
”a mature player with keen sense of composition [and] considerable technical skill.”
– Vintage Guitar Magazine
”an excellent improviser in his own bop-inspired style.”
– Scott Yanow (The Author of ”The Great Jazz Guitarists”)
”… Jim Hall meets Wes Montgomery on their way to a Kenny Burrell show…”
– Critical Jazz
FESTIVALS & VENUES:
Montreal International Jazz Festival (Canada)
Rochester International Jazz Festival (USA)
Vancouver International Jazz Festival (Canada)
DC Jazz Festival (USA)
Greater Hartford Festival of Jazz (USA)
Riverview Jazz Festival (USA)
Jersey City Jazz Festival (USA)
Medicine Hat Jazz Fest (Canada)
Jazz YYC Summer Jazz Fest (Canada)
Calgary Jazz Festival (Canada)
Lethbridge Jazz & Blues Festival (Canada)
Nisville Jazz Festival (Serbia)
Petrovac Jazz Fest (Montenegro)
Techno Jazz Festival (Japan)
Santo Music Street (Japan)
Iridium Jazz Club (New York, NY)
Blue Note (New York, NY)
Smalls Jazz Club (New York, NY)
Bar Next Door (New York, NY)
Blues Alley (Washington, D.C.)
Esplanade Arts & Heritage Centre (Medicine Hat, Canada)
Martha Cohen Theatre (Calgary, Canada)
ECU (Paris, France)
iF Cafe (Budapest, Hungary)
Malmitalo (Helsinki, Finland)
Tokyo TUC (Tokyo, Japan)
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